This is a profoundly smart science book and an inspiring memoir about change that is detailed and complex, quirky and engaging. Readers will connect with Sue's struggles, discoveries, and triumphs. When neuroscientist Susan Barry was fifty years old, she took an unforgettable trip to Manhattan. She saw the city in an astonishingly new way. With each glance, she experienced the ...(展开全部)

简介：随机更新

简介：随机更新

约翰·厄里，获剑桥大学社会学博士学位，此后于兰开斯特大学任教，曾任该校社会学系主任、社会科学院院长和研究部部长，以及英国皇家艺术协会研究员、社会科学研究院院士、科学研究评估计划社会学小组成员及主席。目前担任兰开斯大学流动现象研究中心主任。

When neuroscientist Susan Barry was fifty years old, she took an unforgettable trip to Manhattan. As she emerged from the dim light of the subway into the sunshine, she saw a view of the city that she had witnessed many times in the past but now saw in an astonishingly new way. Skyscrapers on street corners appeared to loom out toward her like the bows of giant ships. Tree bran...(展开全部)

When neuroscientist Susan Barry was fifty years old, she took an unforgettable trip to Manhattan. As she emerged from the dim light of the subway into the sunshine, she saw a view of the city that she had witnessed many times in the past but now saw in an astonishingly new way. Skyscrapers on street corners appeared to loom out toward her like the bows of giant ships. Tree bran...(展开全部)

Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that 'When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many infl...(展开全部)

This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendere...(展开全部)

Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that 'When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many infl...(展开全部)